Blind Push of Students and Its Adverse Effects on Visual Art Education

Visual art education is one of the vibrant and resourceful aspects of general education that ensures skills development. This form of education grooms young students in the senior high school level with strong entrepreneurial drives to set up their own small-scale industries. This assists them greatly in performing their civic responsibilities which is also quintessential in the development of the nation. After all, it helps these youngsters in producing useful and marketable products that are used in carrying out everyday life activities. It helps them in fending for themselves, their families and even employing some other youth. This form of skill development prevents the youth from engaging in gross social vices that hinders national development like armed robbery, rape, and the like. This youngster no more become a burden to the society and does not add up to the pile of unemployed youth already in the burden sack of the ruling government.

This notwithstanding, if care is not taken, the primary goal of this aspect of education which is to train and equip students with useful skills for personal and national development would lose its grip. Skills development comes naturally to talented students as well as students who do not have any artistic gift but are hardworking, well disposed, and positive minded to succeed in their chosen art profession.

However, it is very sad to admit that most parents and some heads of second cycle institutions based on their own discretion and judgment blindly push most students who are not mentally disposed to read the art programme to the visual art department.

A critical survey of the academic performances of these students revealed that they are mostly below average students and/or poor students who performed abysmally in the Basic Education Certificate Examination for Junior High School students. They feel that these students are not very good academically or theoretically and as such blindly push them to pursue the art programme without their consent, conviction and approval. Most of these students stubbornly refuse to coy themselves in their new professional environment and thus ends up performing woefully in the visual art education offered them.

This challenge has been a huge canker and burden to the visual art tutors in most senior high schools who are just at the receiving end to transform these students to sing the tunes of visual arts whether they concur or not. It is even sad to know that most of these students who are blindly pushed hardly turn out for classes or engage in practical lessons given them. Due to the unwillingness on their part to adjust to their new professional environment, they end up been truants or half-baked in their training, defeating the principal goal of the visual art education.

This attitude on the part of parents and heads of institutions must cease. They have to realize that visual art education is a prideful, innovative and respected form of education that must be accorded with the same accolades like its counterparts like Science or Business education. As such, serious and willful students who would want to pursue the programme must be allowed to read it as it is done in other subject areas’ education.

Another remedy is not silencing the students whom parents and heads of institutions want to pursue the visual art education. They can be coached, helped and heard in lengthy, flexible discussions to gradually assimilate their needs, goals and aspirations. This must be done in conjunction with visual art experts and visual art tutors who can even be called upon to give orientation sessions to buttress the prospects and essentials of visual art education to these students before they are allowed individually to decide whether to pursue the programme or not.

If these measures are taken, it will help in maximizing expected learning outcomes of visual art education. It will also help raise the image of visual art education which is rubbed in the mud, labeled as the preserve of the dull and academically deficient students. In fact, this form of education has been pursued by academically vibrant and giant students who perform even better in general courses or subjects read by all students. Visual art education must be seen as a lucrative profession as it is truly. It must not be seen as the den of truants or unfit theoretical robots. This can be averted if the blind push of students to pursue this innovative form of education ceases while opening a new chapter for the enrolment of willing, hardworking, and academically serious students.

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The Fine and Performing Arts & Education

Education either functions as an instrument which is used to facilitate integration of the younger generation into the logic of the present system and bring about conformity or it becomes the practice of freedom, the means by which men and women deal critically and creatively with reality and discover how to participate in the transformation of their world. (Paulo Freire)
I see too many public service commercials-today-exhorting us to support the Performing and Fine Arts in public education. We, as a nation, have evidently become so low-brow, or unsophisticated, that we can no longer see the need for Art education in our schools. So now, we have our children pleading with us, on television commercials, to keep Art education alive. This is a sad state of affairs for us and our children, because art is what truly separates us from the beasts and allows us to rise above the mundane drudgery of life. As many others, I believe art should be at the center of education and not just because it’s good for us. Art stimulates a child’s cognitive and affective domains, as well as their motor skills, which leads to learning, discovery, creativity and motivation.

Academics are very important, of course, but too often they only stimulate a very small portion of the student’s mind and heart. There are three, basic domains of learning: the Cognitive (mind), Affective (emotions or feelings) and Motor-Skills (hands-on). These three domains are key to our thinking/reasoning, learning, problem solving and creating. A healthy mind (Cognitive) is capable of taking in, retaining and processing information, which can then be applied, if retained and used, to the individual’s life. Emotions and feelings (Affective) are closely connected to an individual’s learning, because they aid in retaining and applying information, as well as stimulating the desire to learn more. Seeing, hearing, speaking, the ability to write, walk and run are all part of the individual’s Motor-skills. Without these three domains, learning, needless to say, would be impossible. Reading, writing, math and the sciences stimulate the cognitive and motor skills domains quite effectively, but the affective is too often short changed.

If we think back to our school days, then we should be able to remember that the memorization of facts and successfully spitting them back out on tests was our main concern as students. This is very much a part of the learning process, and I’m not denying that, but where does the Affective domain play a significant part in this teaching process? In much of this way of learning the affective is absent, and-therefore-much of the educational material, which has just been learned, has no real application in the individual’s life and is forgotten. I remember very little about higher level math, the periodic table and scientific jargon. Why is that? It didn’t relate to my life nor touch me in a deep way. This is not to say that I, or anyone else, shouldn’t have taken math and science classes, but what I am saying is academics are less effective than they can be, because they tend to ignore the Affective domain.

I contend that the Arts use all three domains effectively, and they can-therefore-stimulate the student to apply, as well as retain, what they’ve learned. Creativity is key in this process. The Performing and Fine Arts have a distinct advantage-educationally-in their ability to allow students to create as they learn. In painting, students are in the process of creating at the same time they’re mixing colors and learning brush techniques. The same applies to sculpting and photography students. Many middle and high school music directors are-now-using computer programs to stimulate their students to compose as they learn to play and sing. Dance and theatre programs are examples, as well, of applying skills as their students learn. This artistic, educational process employs the cognitive and motor skills domains, but it also stimulates the affective. The art student experiences the sense of joy and satisfaction that comes from successfully learning, and then being able to immediately apply this knowledge in a very personal way. The Arts can enhance a student’s ability to express their emotions in a very positive way. These students have ownership of what they have learned and are able to express this ownership through creativity. The Performing or Fine Arts student is motivated-educationally-beyond just memorizing facts and passing tests, because they’re using their newly-acquired knowledge to express what lies deep in their heart and mind.

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